“E.M. Forster, the Clapham Sect, and the Secular Public Sphere,” jml: Journal of Modern Literature 39.1 (2015), 19-37.

“Negative Eroticism: Lyric Performativity and the Sexual Subject in Oscar Wilde’s ‘The Portrait of Mr. W.H.’,” ELH 80.2 (2013), 597-626.

“Unsettling the Normative: Articulations of Masculinity in Victorian Literature and Culture,” Literature Compass 7.12 (2010), 1077-88.

“‘Parents of the Mind’: Mary Wollstonecraft and the Aesthetics of Productive Masculinity,” Studies in Romanticism 48.3 (2009), 423-46.

“Aesthetic Cosmopolitanism: Euphuism, Negativity, and Genre in Walter Pater’s Marius the Epicurean,” Studies in Walter Pater and Aestheticism (formerly the Pater Newsletter), 55/56 (2009), 31-49.


“Beyond Heterosexuality: Mary Wollstonecraft’s Aesthetic Masculinity” in Called to Civil Existence: Mary Wollstonecraft’s A Vindication of the Rights of Woman, ed. Enit Steiner (Amsterdam: Rodopi Press, 2013).


Review of Sara Lyons, Algernon Swinburne and Walter Pater: Victorian Aestheticism, Doubt and Secularisation, Review of English Studies 68.284 (2017), 392-4.

Review of Matthew Potolsky, The Decadent Republic of Letters: Taste, Politics, and Cosmopolitan Community, Nineteenth-Century Literature 68.4 (2014), 542-6.

“Walter Pater,” in the Blackwell Encyclopedia of Literary and Cultural Theory, ed. Michael Ryan (Oxford: Blackwell, 2011), 373-6.

Review Essay: Heather Love’s Feeling Backward: Loss and the Politics of Queer History and Michael D. Snediker’s Queer Optimism: Lyric Personhood and Other Felicitous Persuasions, Textual Practice 24.1 (2010), 275-82.

Review of Heike Bauer, English Literary Sexology: Translations of Inversion, 1860-1930, Review 19 (2009).

©2017 Dustin Friedman